{"id":17093,"date":"2022-02-07T04:00:13","date_gmt":"2022-02-07T09:00:13","guid":{"rendered":"https:\/\/blackfashioncanada.ca\/database\/?post_type=cpt_portfolio&p=17093"},"modified":"2026-07-07T03:08:17","modified_gmt":"2026-07-07T07:08:17","slug":"george-morrison","status":"publish","type":"cpt_portfolio","link":"https:\/\/blackfashioncanada.ca\/database\/fr\/profiles\/george-morrison\/","title":{"rendered":"George Morrison"},"content":{"rendered":"\t\t

\n\t\t\t\t\t\t

\n\t\t\t\t\t

\n\t\t\t

\n\t\t\t\t\t\t

\n\t\t\t\t\t

\n\t\t\t

\n\t\t\t\t\t\t

\n\t\t\t\t\t\t\t

\n\t\t\t\n\t\t\t\t\t\t\t

\n\t\t\t\tPublished\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t

June 2025<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t

\n\t\t\t\t\t\t

\n\t\t\t\t\t\t\t

\n\t\t\t\n\t\t\t\t\t\t\t

\n\t\t\t\tUpdated:\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t

Month 20xx<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t

\n\t\t\t\t\t

\n\t\t\t

\n\t\t\t\t\t\t

\n\t\t\t\t\t\t\t

\n\t\t\t\n\t\t\t\t\t\t\t

\n\t\t\t\tWords by\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t

Kailen Duern and Luis Murua Burhorn<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t

\n\t\t\t\t\t

\n\t\t\t

\n\t\t\t\t\t\t

\n\t\t\t\t\t\t\t

\n\t\t\t\n\t\t\t\t\t\t\t

\n\t\t\t\tFact checked:\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t

Charmaine Gooden<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t

\n\t\t\t\t\t

\n\t\t\t

\n\t\t\t\t\t\t

\n\t\t\t\t\t\t\t

\n\t\t\t\n\t\t\t\t\t\t\t

\n\t\t\t\tProofread, copyedited:\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t

Jacob Marion<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t

\n\t\t\t\t\t

\n\t\t\t

\n\t\t\t\t\t\t

\n\t\t\t\t\t

Highlights<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\n\t
\r\n \t
Guyana-born George Morrison built a legendary Toronto salon scene, styling everyone from Patti LaBelle and k.d. lang to Anne Murray.<\/li>\r\n \t
As a teen designer, he staged full-scale fashion shows with couture-level gowns, then carried that flair to his Yorkville salon.<\/li>\r\n \t
His Hair and Now salon became a creative clubhouse where artists, socialites and musicians gathered for conversation, community and unforgettable looks.<\/li>\r\n \t
Facing racism head-on, he left a pioneering legacy in Black Canadian hair and queer visibility.<\/li>\r\n<\/ul><\/span><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t
George Morrison had a gift for glamour that revealed itself early and never left. Long before he was styling music legends like Patti LaBelle, k.d. lang and Anne Murray, <\/span>as a teenager, he was already coaching a young Shakira Baksh<\/span><\/span> in beauty pageants, years before she married actor Michael Caine<\/span><\/span>.<\/p>
In Toronto, Morrison became something of a cult figure with Hair and Now, his salon that served as both a creative space and community hangout. Clients came for the styling but stayed for the vibe, conversation and connection. His clients adored him, not only for his artistry but for his authenticity <\/span>that continues to inspire those who remember him.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t $\"A$ \t\t\t\t\t\t\t\t\t\t\t
Contemplative George Morrison<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t $\"A$ \t\t\t\t\t\t\t\t\t\t\t
George dressing a mannequin<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
Early Life and Career<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t
Morrison was born in Georgetown, Guyana, the middle of five children to Stella and George Sr., a school principal who hoped his namesake would follow in his academic footsteps. But his passions lay elsewhere, in fashion design, hair styling and the arts. Against his father\u2019s expectations, Morrison pursued a career in fashion.\u00a0<\/span><\/p>
By his teens, Morrison was already using his mother\u2019s sewing machine to make clothes for women in his neighbourhood and was staging full-scale fashion shows, complete with hair, makeup and live music. In 1960s Georgetown, when fashion shows were major entertainment events, Morrison\u2019s productions featured 25 models <\/span>in<\/span> his signature show-stopping gowns. \u201cHe did the hair, the makeup, the dresses, he ran the show<\/span>,<\/span>\u201d recalls his daughter<\/span>,<\/span> Eloise Morrison. \u201cHe was in the newspapers and whenever anybody mentioned his name, people in the community would know about him.\u201d<\/span><\/p>
What set Morrison apart wasn’t just talent, but his entrepreneurial instinct. He acquired the Miss Guyana franchise before most teens had even picked a career path. He was also designing lavish wedding gowns<\/span>,<\/span> hand<\/span>–<\/span>beaded, embroidered and elaborate<\/span>.<\/span> \u201cThese weren\u2019t amateur gowns,\u201d recalls Bill Newman, <\/span>Morrison’s<\/span> lifelong friend from high school. \u201cThey were spectacular, couture-level pieces.\u201d His talent led to financial success and stability, so he quit school to focus on his career.\u00a0<\/span><\/p>
It was around this time that Morrison met <\/span>19-year-old<\/span> Cheryl Kennard. She had just returned to Guyana after spending two years in London, England, attending hairdressing school. Her older sister and cousin modelled for Morrison, and soon, she did too. <\/span>Kennard<\/span> remembers <\/span>Morrison<\/span> being invited to show his designs at prestigious charity events, like Red Cross galas.\u00a0<\/span><\/p>
One day <\/span>in 1965<\/span>, while scouting for Miss Guyana hopefuls, Morrison met Baksh, a soft-spoken young secretary with a striking presence. <\/span>He<\/span> saw something special in her. <\/span>C<\/span>onvinc<\/span>ing<\/span> her to model<\/span>, he escorted her to the Miss Universe pageant in London, where he designed and styled every look. S<\/span>he finished as second runner-up. The two stayed close, even after Baksh stayed in London and went on to marry actor Michael Caine. But Morrison, newly inspired and with a world of ambition, set his sights on Canada.<\/span><\/p>
In 1969, s<\/span>oon after arriving in Toronto<\/span>\u2019s west end<\/span>, Morrison enrolled in hairdressing school, but didn\u2019t stay long. Within a couple of weeks, Morrison was given his certificate because he was outperforming his instructors, who were not familiar with styling Black hair.\u00a0 \u201cMorrison was one of those really rare individuals who just knew how to style hair without any teaching, so they gave him his certificate,\u201d says Newman.\u00a0<\/span><\/p>
Toronto was receptive to <\/span>Morrison’s<\/span> kind of flair. Shortly after <\/span>arriving in the city<\/span>, he bec<\/span>a<\/span>me close with Carole Adriaans, one of his clients at Bruce of Cruscendo\u2019s salon, located in the TD tower. <\/span>Morrison would go on to marry her,<\/span> Adriaans, on July 17, 1971,<\/span> later having<\/span> 2 children<\/span>,<\/span> Orson & Eloise. Naturally, he designed his own wedding look.\u00a0\u00a0<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t
<\/p>\n
<\/p>\n
This special section creates a photo next to a pull-quote<\/p>\n
<\/p>\n
<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t
\u201cIt was a social salon,\u201d says Newman. \u201cPeople dropped in just to hang out, even if they didn\u2019t need a haircut. Just to be in George\u2019s orbit.\u201d<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t $\"Black$ \t\t\t\t\t\t\t\t\t\t\t
<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t
Morrison then quickly opened his first salon, called <\/span>Designs by<\/span> George<\/span>,<\/span> at 21 Hazelton Ave. \u201cIt was a one-stop shop,\u201d says Eloise. \u201cYou\u2019d come in and he\u2019d measure you, design your dress, sew it, then do your hair and makeup. You left fully styled by George.\u201d <\/span><\/p>
Many clients who came only wanted to see George, <\/span>despite a full staff at the salon. H<\/span>e became burnt out by the constant demand and long hours<\/span>,<\/span> which led him to join another salon <\/span>in 1971<\/span>, <\/span>focusing on doing hair and creating<\/span> gowns on the side.<\/span><\/p>
At<\/span> Robin Barker\u2019s hair salon in Yorkville, a trendy enclave for Toronto\u2019s elite, he reconnected with Kennard, who had recently moved to Canada and was working at Sherway Gardens. Barker needed a colourist, so Morrison made the call, and Kennard came on board. \u201cGeorge had a huge clientele. He was one of the most talented people I\u2019ve ever met,\u201d Kennard says.<\/span><\/p>
Barker remembers those days well. \u201cGeorge was a special part of my salon,\u201d he says. \u201cWe had the first \u2018<\/span>e<\/span>bony & <\/span>i<\/span>vory\u2019 clientele in the city. At the time, we didn\u2019t think in terms of Black fashion; we thought in terms of hair fashion.\u201d Barker, who had trained in Detroit under Black hairstylist Sam Orr, created an inclusive space where Morrison thrived.\u00a0<\/span><\/p>
Six months later, <\/span>in 1972,<\/span> Morrison and Kennard decided to open their own salon. The two <\/span>started<\/span> Hair and Now on Collier <\/span>Street<\/span>, just around the corner from Barker\u2019s. Three stylists from Barker\u2019s left to join them, and the salon was quickly a hit.\u00a0<\/span><\/p>
\u201cGeorge and I would work together on press releases for the new season. George was exceptionally talented,\u201d Barker recalls. \u201cIt hurt when he left and took another stylist with him, but there were no hard feelings. Everyone loved George,\u201d he concludes.<\/span><\/p>
\u201cHair and Now wasn\u2019t just a salon, it was a scene,\u201d says Newman. On any given day, you might walk in and see artists, socialites or musicians. It was the place to be<\/span>, a<\/span> place to come together and a place for community. Morrison had a loyal list of clients<\/span>,<\/span> and Newman sa<\/span>ys<\/span> he would drop by the salon just to hang out<\/span>,<\/span> because <\/span>you<\/span> never knew who would be in <\/span>Morrison\u2019s<\/span> chair<\/span> that day. \u201cIt was a social salon,\u201d says Newman. \u201cPeople dropped in just to hang out, even if they didn\u2019t need a haircut. Just to be in George\u2019s orbit.\u201d<\/span><\/p>
Morrison had a kind of presence that was quiet, composed, almost impossibly serene. Kennard remembers studying him as he worked: \u201cHe never seemed stressed. He was calm and a real master to learn from<\/span>,<\/span>\u201d she says. \u201cI learned just by watching him.\u201d<\/span><\/p>
Evenings at the salon were lively. Tuesdays and Thursdays turned into impromptu parties with wine, gossip and laughter. More than once, those nights ended on a disco dance floor. \u201cThose were some of the best years,\u201d Kennard reflects. \u201cWe had a really successful <\/span>10<\/span>-year run.\u201d\u00a0<\/span><\/p>
Then one day, Morrison decided it was time for a new chapter. He moved to Raffaello\u2019s, another family-owned Yorkville institution, where he stayed until \u201cretirement,\u201d <\/span>around 2015<\/span>. But in truth, Morrison never really retired. Hair was more than a job. It was his art, his language and way of moving through the world<\/span>, a<\/span>nd it never let him go.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t $\"\"$ \t\t\t\t\t\t\t\t\t\t\t
k.d. lang and George Morrison \n[Worn photo - digitally enhanced by BFC]<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t
\u201cIt was a challenge for him,\u201d says Eloise. \u201cWe had real conversations about race, about what it meant to be a Black man working in that part of the city. But because of who he was, he made space for himself.\u201d<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
Fashion and Diversity<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t
Morrison was Guyanese and half Portuguese. In Georgetown, Eloise explains, society <\/span>was<\/span> shaped more by class than by race, where community status mattered more than skin tone. \u201cAt his fashion shows, my father welcomed women of all ethnic backgrounds to walk his runways,\u201d she recalls. \u201cIt was about beauty, presence and confidence, not colour.\u201d\u00a0<\/span><\/p>
But arriving in Toronto, for all its cosmopolitan sparkle in the late 1960s, brought a jarring reality check. Morrison\u2019s salon on Hazelton <\/span>Ave<\/span> was located in the heart of Yorkville\u2019s predominantly white enclave. The racism was blatant, and the unspoken rules of who belonged where hit hard. \u201cIt was a challenge for him,\u201d says Eloise. \u201cWe had real conversations about race, about what it meant to be a Black man working in that part of the city. But because of who he was, he made space for himself.\u201d\u00a0<\/span><\/p>
Morrison wasn\u2019t one to shrink in the face of exclusion, and he broke into spaces that weren\u2019t normally open to him. In 1971, he became the first Black man invited to the exclusive Granite Club, one of Toronto\u2019s most elite private social clubs. The event<\/span>,<\/span> part dinner, part fashion salon<\/span>,<\/span> featured tastemakers like Chatelaine editor Doris Anderson and modelling agency founder Eleanor Fulcher. Morrison, looking elegant and unbothered, was photographed mingling among the city’s social elite. The racially symbolic and stylish moment was captured in a <\/span>Toronto Life<\/span><\/i> article that still feels groundbreaking.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t $\"Black-and-white$ \t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t
George at Granite Club<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
Influence and Legacy<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t
Morrison\u2019s influence wasn\u2019t limited to Canada; his name carried weight across borders. During his Hair and Now years, Morrison and his business partner Cheryl Kennard were invited to Los Angeles by a prominent Black hairstylist who had developed a new straightening system specifically for black hair. The invitation was a sign of respect.<\/p>
Word of Morrison\u2019s artistry had travelled, and in L.A., American stylists knew exactly who he was. People wanted to meet him, to entertain him. Whether in Georgetown, London, Yorkville, or Los Angeles, Morrison stood out not just because of his talent, but because he carried himself like someone who knew exactly who he was.<\/p>
With Carole Adriaans, Morrison had two children, Orson and Eloise. At home, he was the opposite of a diva. \u201cHe never raised his voice,\u201d Eloise recalls. \u201cEverything was a conversation. He taught us to be open, nonjudgmental, and to really see people for who they are.\u201d \u00a0He made her prom dress by hand, cut her hair and showed his love through quiet acts of care.<\/p>
After he and Adriaans divorced, Morrison came out as gay, a decision he embraced with grace and courage. He didn\u2019t make a grand announcement, nor did he apologize. He simply chose to live as he was, authentically and without shame, and it inspired those closest to him.<\/p>
When he wasn\u2019t behind a chair or a sewing machine, Morrison could be found in his garden or hosting legendary dinner parties at his High Park home with his partner, Dave Belton. One such gathering featured an entire roast pig, chopped into manageable pieces to fit in his oven, of course. \u201cThat was George,\u201d recalls Bill Newman. \u201cElegant, extravagant, and always up for a challenge.\u201d<\/p>
Even as he grew older, Morrison never stopped creating. He wrote a memoir, Bear No Malice<\/em>, about his life in Guyana and his complicated relationship with his father, editing it right up until his passing.<\/p>
Kennard still misses their daily phone calls, long after their salon days have ended. \u201cHe was someone you just wanted to talk to,\u201d she says. Morrison had a gift for conversation, for real connection, and many of his clients became lifelong friends.<\/p>
A true architect of glamour, he styled the likes of Patti LaBelle, k.d. lang, and Anne Murray, and helped launch a young Shakira Baksh, the future Lady Caine, on her path to the Miss Universe stage.<\/p>
Morrison passed away on November 24, 2020, at the age of 75, leaving a pioneering career and a chapter in Canadian fashion and beauty history. In an era when few Black stylists were granted visibility in upscale circles, Morrison built his own platform, shaping not just hairstyles but representation in Toronto\u2019s fashion and salon scenes.<\/p>
His story is not just a personal legacy, but also an important part of the history of Black excellence in Canada\u2019s fashion and beauty industry.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t
<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t
<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t
Archive of images at BFC:<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t
\n\n
\n
\n \n <\/span>\n <\/div>\n <\/div>\n \n
\n
\n
\n <\/div>\n
\n
\n\t \t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t
1<\/span>Comment<\/span><\/a><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t
Share your thoughts:<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t